Tyrannosaurus Rex, or `Thunder Lizard`, was a dinosaur biped, with two arms and two legs, and which probably ate meat and preyed on other plant eating saurians. The dinosaurs were thought to have became extinct after the appearance of mammals during the Mesozoic period (248 m.a.) of Earth`s prehistory. As mammalian (220 m.a.) evolution gathered impetus, it was analogous to that of a younger generation unrespecting of the crocodile smiles of older men, and is a motif that recurs in early Jewish culture, where the first man, Adam, and the first woman, Eve, are represented as being tempted by a `serpent` into accepting death, rather than life. The large teeth, and comparatively small head of the T. Rex, suggests that it was a meat eater, and carnivorous creatures would want their prey to want to be eaten, which explains the Jewish Messiah Jesus` curious decision to go to Jerusalem knowing he`d be murdered there. The desire of the dinosaur for the prey to want to be devoured is the reason for the first woman, Eve, and the first man, Adam, being depicted as accepting death, rather than the immortality, which their creator, God, offered. In the Old Testament of the Bible, that is, the law and history of the Jews, which is the Talmud and Torah, the serpent was an angel in God`s heaven, Satan, but was placed on Earth and transformed by God for rejecting God`s plan that the human host would be greater than the angelic. Meat eating raptors were the dominant life form before humans, so the appearance of the serpent in Eden represents the temptation for humanity to accept being devoured by a former carnivorous nature which ought to have been rejected:
`Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4)
In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) Oedipus is asked to solve a riddle, `Which creature has one voice and yet becomes four-footed and two-footed and three-footed?`1 Oedipus replies, `Man.` His rational explanation is that babies crawl, whereas adults walk, and old men walk with the aid of a walking stick. The answer is accepted, although the explanation isn`t acceptable. In simple terms, `Man` is a dinosaur, whose third leg was its tail. According to archaeologists, larger dinosaurs; for example, the brontosaurus, had a second brain at the base of the spine, which controlled its tail. The absence of the second brain in men is the absence of a third leg, although the birth of the futanarian race of women`s `foot` from the human species` host womb signifies the reemergence of the brain that controlled the saurians` tail as the first woman, Eve, who the Bible depicts as emerging from the side of the first man, Adam, while he slept.
Adam was the first man, because a woman emerged from his side, that is, the male brain wanted the second female brain, which controlled the tail in saurians, to have human form. Consequently, Oedipus` name means `swollen foot` and refers to the futanarian race of `woman`s seed` as the `foot` race of women who have had their own penis` semen for the sexual reproduction of human brainpower since Eve emerged from the rib of Adam and the cycle of birth and death commenced. Jesus` mother, the Virgin Mary, is depicted in Christian iconography as God`s `foot` crushing the head of the serpent, Satan, because Jesus` teaching was against Satanism, `Love your neighbour as you love yourself.` (Mk: 12. 31) Satan was the angel removed from heaven by God and turned into a serpent, because God`s plan was that the human host should be more intelligent than the angelic and Satan didn`t want that. Eve and the first man, Adam, were tempted to evil by the serpent, Satan, `You shall be as gods.` (Gen: 3. 5) The temptation was ephemerality, rather than immortality, which was the `fruit of the tree of life` in the garden of Eden, where Eve and Adam lived. The serpent represents the type of a T. Rex dinosaur with humans afoot as food, rather than a futanarian race for brainpower and liberation. Accepting the `fruit of the tree of the knowledge of good and evil` meant acceptance of death, although God told Eve, `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Consequently, there were two riddles for Oedipus to solve, `There are two sisters: one gives birth to the other and she, in turn, gives birth to the first. Who are the two sisters?`2 Again the answer is `Man`, because the third foot is the human futanarian brain, which can be sexually reproduced between women.
The absence of `woman`s seed` is the reason why Oedipus` name means `swollen foot`, that is, he`s brain damaged, and can`t see the truth, which is that men stand between women and the sexual reproduction of brainpower between women of the futanarian human race. Consequently, when the serpent, Satan, grown to the size of a dragon and threatening to devour the child of the woman, it`s the sexual reproduction of human brainpower which the devourer wants to prevent. In Sophocles` dramatization, Oedipus` lameness derives from his being exposed on a hillside at birth by his father, Laius, and his mother, Jocasta, because of a prophecy that he`d kill Laius and marry her. Grown unconscious of his origins, Oedipus encounters his father and, without knowing him, kills Laius after an argument over which of them has right of way upon the road. Oedipus solves the riddle to become king of Egypt`s city of Thebes, after unknowingly marrying Jocasta, his mother. In species terms, he didn`t respect his father, because she was his mother, and he didn`t have a memory long enough to respect her. The taboo against incest causes Oedipus to blind himself, because men don`t want humans to have a memory. If humans saw that men stood between women to prevent them from being able to reproduce, they`d understand they were kept blind in brain damage. Blind Oedipus asks Antigone, his daughter, to guide his steps, because that`s how men keep women in darkness.
Satanism is real and it`s ubiquitous. There aren`t any humans, because there aren`t any women. God`s promise to Eve that she`d have Redemption, after she and Adam were expelled from Eden, was fulfilled in the birth of Jesus, whose subsequent death, Resurrection and Ascension, prefigures that of `woman`s seed` which, according to the Bible, endures a period of persecution by the serpent fully grown: `And the dragon was wroth with the woman and went to make war with the remnant of her seed.` (Rev: 12. 17) Because it isn`t possible to be born a Jew unless from a woman, Jews are women, which explains their persecution. As the human host at the `Last Supper`, Jesus` giving of `bread and wine`, as symbols of his `body and blood` to his disciples, was symbolic. When Jesus` disciple, Judas, betrayed Jesus as a `dissident` to the Jewish religious police, the Pharisees, who gave the Messiah over to the local representatives of the Roman Empire then occupying Jewish Palestine, he was a figure of Satan betraying the human host.
Taken to the hill of Calvary outside the city of Jerusalem, where he was nailed to a wooden cross and left to hang there until he died, Jesus was a symbol of men`s desire to prevent humans from sexually reproducing their own brains` powers for labor saving technologies and immortality conferring medical science that would allow women`s futanarian race to escape to the planets and stars away from host womb enslavement in parasitism to the `serpent`s seed` of men. Judas was known for stealing from the collection plate after Jesus` preaching to the crowd, and when a woman was anointing Jesus` feet with an expensive perfume, spikenard, Judas suggested that the perfume be sold to raise money. Betraying Jesus to the Romans was Judas` betrayal of the human host insofar as Jesus` uncontaminate would never sexually reproduce to bestow miraculous powers upon children and so facilitate humanity`s escape from pimps like Judas. The Roman Empire was a male brainer, and was preceded socio-historically by Greece, where women`s host wombs were enslaved for institutionalized homosexuality in pederasty for war against `woman`s seed`. Although women were still able to produce civilization, culture and art from their host wombs despite the depredations of the `serpent`s seed` of men, the history of Empire is prophetically depicted in Jesus` disciple John`s Revelation in which `a woman`, Babylon, is described, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Babylon (c. 4000 B.C.) was the capital city of the Persian Empire and so the biblical type of an enslaved woman`s host womb for parasitism in homosexuality and pederasty for warfare, which is what brain damaged humanity is kept in infantilism for.
Paedophiles are Satanism because men don`t want human brainpower to develop. Although Moslem Islam is criticized, it`s an attempt to unify the Judeo-Christian tradition, which consists of the Old Testament of the Bible, which is a history and law of the Jews, that is, the Talmud and the Torah, while the New Testament is the teachings of Jesus and the miraculous healing abilities brought into the world by Jesus` mother, the Virgin Mary, because Jesus` brain was uncontaminated by male semen. The story of Jesus and Mary appears in the Koran (610-30 C.E.) of Islam, as Isa and Miriam`s, while the Moslem story diverges with Abraham, whose wife Sara bore Isaac, the founder of Israel. Sara became barren and gave Abraham, Hajer, her Egyptian maid, who bore Ishmael, who was the founder of Islam through his descendant, the Prophet Mohamed who, according to Islamic tradition, received the Koran from the angels. The Koran is the basis for Moslem marriages having four wives because Abraham had two. Consequently, Islamic families represent a base from which the futanarian race of women can sexually reproduce with each other within a societal framework acceptable to their privacy, which is why the women of Islam wear the burka or veil to conceal themselves from Western democratic societies that repress the memory of women`s penis` `seed`. In Hollywood, which is the capital of the movie industry known as `Babylon`, that is, where men manufacture `abominations`, the `Hays code` (1930-67) established by Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), forbade women:
`... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`3
The prohibition is biblical, that is, men don`t want the human futanarian race to sexually reproduce its own brainpower to escape them. Consequently, men deploy disease and death to ensure older people die and children are born. In the late 20th century the `incurable killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses in rejection of `woman`s seed` was the `biological weapon` that kept women in fearful faithfulness to homosexuality in pederasty and war`s monogamous ring slavery, which prevented the futanarian human race of women from sexually reproducing their own brains` powers for the development of advanced medical science and labor saving technologies that would confer upon an eternally youthful humanity an immortal store of knowledge as a facility for the maintenance of the species` abilities. Although Greece was the model for democracy, Moslem Islam`s four wife marriages represented the democratic framework for sexual reproduction of the human futanarian race between women, and so misogynist dictatorships have been prevalent in Islam, because men don`t want women.
The ruins of the ancient Persian Empire`s capital city of Babylon were visible to Saddam Hussein, dictator of Iraq, as he looked out from his summer palace at Hillah, whereas Jarhead (2005) was the Hollywood Babylon movie made of the events preceding his execution on December 30, 2006. Although the title of the movie is ostensibly a reference to the standard issue protective headgear of the US army, which invaded Iraq in March, 2003, after Saddam Hussein announced his support for Al Qaeda`s terrorist action of hijacking civil airliners to crash into the Twin Towers of the World Trade Centre in New York on September 11, 2001, it`s an allusion to the 8th century collection of tales, One Thousand And One Nights, in which the framing device is the story of Shah Jehan who beheads his wife for alleged unfaithfulness with his brother and then marries a new wife each day before beheading her each evening. Scheherezade is the woman who tells stories to Shah Jehan and he keeps her alive to hear the dénouement each succeeding evening, so Scheherezade saves the Mogul women. The story `Ali Baba And The Forty Thieves`, which was added to the collection by European translator Antoine Galland for his 18th century, Les Mille Et Une Nuits (1704-17), is amongst the tales told by Scheherezade about thieves who hide in jars to murder Ali Baba. Consequently, the Hollywood Babylon movie, Jarhead, refers to the beheaded wife of Shah Jehan, that is, men`s wars are a symbol of human brainlessness, because women without penis` semen of their own can`t sexually reproduce undamned brainpower.
In ancient Egypt the Pharaohs had their organs, for example, brain and heart, placed in jars, while their retinue were killed and placed in the Egyptian ruler`s tomb, because they too were `jars` for the spirit of the Pharaoh to be reincarnated from. In other words, men of Oedipus` Egyptian city of Thebes didn`t want humans, which is why the myth of Oedipus and his mother, Jocasta, is associated with what psychoanalyst Sigmund Freud (1856-1939) called `the Oedipal complex`, that is, the desire of men to come between the daughters and the mothers of the human futanarian race. Perdition is the eternal unendurable pain prepared by God as a punishment for the evil, and is called `Sheol` in Judaeo-Christian tradition, which is represented as being a place of broken pottery shards, that is, it contains the `jars` of the Egyptian Pharaohs, who are the bodies of people possessed in blind ignorance and unconsciousness. As a symbol of `rough trade`4 on September 11, 2001, that is, `brutality and violence`, which is homosexuality in pederasty and war`s host womb enslavement of the human species of women, Al Qaeda`s terrorist leader Osama Ben Laden`s attack on the World Trade Centre was that of a `parasitoid` Pharaoh bent on devouring the futanarian human race:
`…. from the sky there comes a great king of terror,
to bring back the great king of the Moguls,
Mars rules triumphantly, before and after.`5
Michel Nostradamus` 16th century prophecy of a Hollywood Babylon Mogul causing the terrorist attack on the World Trade Centre in New York city on September 11, 2001, fits with the Pharaoh`s ideal of sexually reproducing blind ignorant unconscious slaves. The `Hays code` banned the human race of futanarian `woman`s seed` from being seen engaged in sexually reproductive acts on the `big screen` of USA `agitprop`, so ensuring human brainpower wouldn`t escape the parasitoid Pharaohs of the `serpent`s seed` in Babylon, Persia, and Hollywood, Los Angeles, California. Similar to parasites, parasitoids emerge from the host to devour it. Consequently, ephemerality and children are necessary to a parasitoid; lest the host become conscious. Paedophiles want to play with children, whereas children want to play with toys. Devised by the paedophiles, toys are designed to kill the children as they get older; for example, winter`s snowballs and colorful firework display rockets launched from milk bottles become US M1 tank shells and Iraqi `scud` missiles, so that the paedophiles always have children to play with. Sigmund Freud, the `father of psychoanalysis`, argued that civilization, culture and art was `nothing but` the result of repression of the male penis. Consequently, the gun on the turret of the toy tank; for example, as it appears on the cover of British `glam rock` group T Rex`s album, Tank (1973), with singer-songwriter Marc Bolan bestriding it like a child , is a sign of the repression of `woman`s seed`.
The gun signifies men`s sublimated hatred of women`s penis, because men constitute a collective parasitoid creature devouring the human race in warfare against futanarian women`s humanity. The parasitoid somehow inveigled itself into the host womb of the futanarian species of women untold milennia ago in order to steal semen and devour humanity as the human host`s parasitoid enemy, which is why God told Eve: `And I will put enmity between you and the woman, and between your offspring and hers.` (Gen: 3. 15) As a human host womb enslaver men`s parasitoid creature keeps women and the humans they`re able still to produce in blind, infantile unconsciousness. The childhood of futanarian humanity`s toys would be Star Trek starships with their `warp drive` technology, but the `serpent`s seed` prefer tanks full of petrol, because they don`t want the human race to outgrow its `father of lies`, Satan.
Perhaps the best known science fiction about an extrapolated future based on contemporary levels of human technological progress was the children`s television series, Star Trek (1966-9), which came to be called Star Trek: The Original Series after a new series was made about the starships of Earth`s Starfleet, Star Trek: The Next Generation (1987-94), with a new crew for the starship Enterprise, following the success of Star Trek: The Motion Picture (1979), although Star Trek: Deep Space Nine (1993-9), which was about the crew of a Starfleet space station, and Star Trek: Voyager (1995-2001), which was about a different starship, maintained the parasitoid format of men`s blinding of children in unconsciousness; lest human sexuality emerge. Although actress Karen Montgomery`s character, Beata, employs sexual innuendo to wonder in `Angel One`, that is, episode fourteen of the first series, whether human brainpower will ever be produced, the pun is almost totally obscured by its writer Patrick Barry`s undeclared aim of arousing the offended misogynist: `Your advanced technology has proven inadequate?`6
Beata is the `Elected One` on planet Angel One and, as head of that world's government, she`s intent on preserving the matriarchal culture that apportions males second-class status. After being impressed with actor Jonathan Frakes in the role of the starship Enterprise`s Commander, Will Riker, Beata takes the progressive step of not executing Starfleet Federation fugitives, who`ve rejected the female-dominated government, and instead exiles them to a remote area of the planet, whilst acknowledging that her society's oppressive tradition might eventually change over time. The misogynist parody extrapolates from Jewish history, because the Jews of the Old Testament were the `chosen people` for their tradition that a Jew can only be born from a woman, that is, it`s the human futanarian tradition that humans are women and `woman`s seed`, which is why Jesus, the Jewish Messiah, was born from his mother, the Virgin Mary, uncontaminated by male semen, and the German Nationalist `Nazi` Party of Germany based on Roman fascism pogromed the Jews in `death camps after being elected in 1933. The second-class status of males within a matriarchal social structure in `Angel One` is a reverse racist misogynist propaganda fantasy based on the Nazi Joseph Mengele, who was known as the `Angel of Death` at the Auschwitz `death camp` in Poland where the `chosen people` of `woman`s seed` were exterminated, before Auschwitz was liberated by the Russian army on January 17, 1945. The notion that Federation citizens are protesting in `Angel One` against execution for their rejection of matriarchy is reverse racism. Propoganda against acceptance of `woman`s seed is what the misogynist mass media `edutainment` system promulgates and disseminates to its audience. Presupposing permanent occlusion from awareness of women`s having `seed` of their own, the science fiction Star Trek television audience is made blind, ignorant and unconscious by reverse racism`s presenting of the `chosen people` of `woman`s seed` as being unfair.
The Russians and the United States subsequently engaged in a `Cold War` (1947-91), although the countries had been allies against German Nazism. The Russians didn`t withdraw from most of the nations they`d liberated in Eastern Europe until the 1990s, and much of Russia remained Moslem during the break-up of Eastern Europe into independent nation states after the Russian`s withdrew. During the Bosnian war (1992-5) Christian Serb militia set up `rape camps` in which upwards of 70,000 women of Islam were made pregnant in an attempt to male brain - and so handicap - a generation of futanarian Moslems, which made relations between Russia and the United States of America colder than ever. The symbol of Roman and Nazi power was the fasces, a bundle of wood with an ax in the centre, which for the Romans was a symbol of a `blind` behind which campaign plans were made by generals; for example, although in practice Roman security blinded those who were accused of `spying` in the huge stadia they constructed for the `games` in which `dissidents`, like Jesus` Christians, were killed for entertainment; as the `spy` Jesus had been crucified on the hill of Calvary outside the city walls for the `edutainment` of the citizens of Jerusalem.
For the Nazis the fasces signified the fences behind which their pogroms took place at the `death camps` they`d constructed for Jewish `spies`, while the USA`s `Cold War` abandonment of Moslem Islam to Russia suggests that Anti-Christianity was preparing to take up its ax against the `remnant` of `woman`s seed`, which began during the break-up of Yugoslavia into smaller independent Christian and Moslem nations, after the withdrawal of Russia from Eastern Europe, and continued with the overthrow of Saddam Hussein in Moslem Iraq, where Moslem women, who traditionally cover themselves in public with the one-piece coverall of the burka, so that only their eyes can be seen, were `spies` to the `new fascism`, which didn`t want Western women to be able to see that women were the human race, rather than men, who constituted an irredeemable devouring parasitoid creature that kept invading women to satisfy the appetite of its beastly belly.
Espousing penisless female nudity as `edutainment`, the USA`s Star Trek`s is `death camp` humor for Moslems, that is, the futanarian human race is being extinguished because of misogyny against `woman`s seed`, which is symptomatic of a parasitoid creature jokingly targeting futanarian women`s human sexuality, although it`s without genuine humor, because it knows the human penis of women`s race isn`t its. The absence of women`s penis, particularly from futuristic mass media `edutainment` like Star Trek, represents women`s imprisonment in a `death camp` by the parasitoid creature that pretends to be defending the human species, whereas it`s keeping the race blind and ignorant to its pogrom against futanarian humanity, which is what humans are, and it`s employing `camp` humor as a smokescreen behind which the pogrom continues: `Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before.`7 The `Captain`s Oath` that began each Star Trek: TOS episode was improved from `no man` to `no one` for Star Trek: The Next Generation, because the pogromers didn`t want any humans to escape.
Although Beata is the `Elected One` on her matriarchal planet, she represents women`s futanarian humanity as a targeted minority. Movements against `Moravians`, who`re the residents of a small nation in Eastern Europe incorporated within the borders of the Czech Republic and that are believed by some to be descended from reptilians, were similarly targeted by David Icke`s purported discovery of a group he called the `Babylonian Brotherhood`8 in his book, The Biggest Secret (1999), and which allegedly included such luminaries as England`s Queen Elizabeth II (1953-) and US President, during the overthrow of Saddam Hussein, George W. Bush. Although Tyrannosaurus Rex, with its two arms and two legs, is a part of so-called `Moravian` human evolution, the existence of a back brain as well as a forebrain in T. Rex is evidence that it`s the back brain that men don`t want for humans, because it would afford a genuine memory of the past affording humanity an escape route from host womb enslavement to homosexuality in pederasty and warfare against `woman`s seed` waged by a parasitoid creature that isn`t a relative. The suggestion that the parasitoid is reptilian `Moravian` doesn`t bear examination, because men don`t want human futanarian women`s sexual reproduction to restore the lame brained race, that is, `Moravian` is an aspect of human futanarian women`s evolution, rather than the serpent that grows into a dragon, which is Satanism. In short, despite the Star Trek `reverse racism` fiction that Beata is the `Elected One` of a matriarchy pogroming males, men are hunting dinosaurs to extinction, and she`s a woman.
The starships of Starfleet in Star Trek are the dragons grown to full size since the serpent`s days in Eden, because the woman`s penis can`t be seen. Star Trek is often described as `high camp` humor, because its `tongue in cheek` references to sexual themes, for example, `Deep Space Nine`, are designed ostensibly to be enjoyed by adults watching alongside children, whereas it`s an implausible fiction developed by the mass media `edutainment ` system of Hollywood Babylon to disguise its `death camp` philosophy for `woman`s seed`, that is, `camp humor` is joking amongst the guards about the Jews on their way to the showers, where the Jews are the women and the `deep space` between their thighs isn`t going to produce anything of theirs. The statistical fact that women`s penises are invariably larger than the standard six inches attributed globally to the average man means that the `camp humor` embedded in the title `Deep Space Nine` is symptomatic of what Freud termed `penis envy`, although he erroneously attributed it to women, that is, the Star Trek space station is a women`s prison where the guards joke about their dying because they `can`t get it up any longer`.9
In the science fiction movie Starship Troopers (1997), which was based on Robert A. Heinlein`s (1907-88) `scifi` juvenile novel, Starship Troopers (1959), director Paul Verhoeven was praised for having bisexual shower scenes, whereas the scenes are logically extrapolated from the deaths of women in the showers at Germany`s `Nazi` death camps in the 1930s, where the word `shower` was a euphemism for `gas chamber` from where the poisoned bodies were taken to be stacked like logs before being burned in ovens at `camps` in Belsen, Germany, and Auschwitz, Poland, etc. Although Starfleet`s `starlog` in Star Trek: The Original Series (TOS) was a science fictional extrapolation of the traditional ship`s log in which a sea captain records the vessel`s progress, the prequel to Star Trek: TOS television series, starring actor Scott Bakula, Star Trek: Enterprise (2003-5), purports to depict the adventures of a crew of the starship before the original series aired in the 1960s, and so represents the retrograde parasitoid creature that is Hollywood Babylon: `Enterprise starlog, Captain Jonathan Archer, April 16, 2151.`10 Men use their back brain to maintain their logging operation, that is, `woman`s seed` is beheaded by denying her penis access to sexual reproduction, and so Star Trek: Enterprise reiterates women`s inability to gain penetration amongst the mocking guards with their camp humor, that is, no entry and no prize.
When the Roman guard, Longinus, thrust his spear into the side of Jesus after his death, because he was the `Second Adam` from whose side Eve emerged, it was because Jesus promised a Holy Spirit would teach after him: `Surely, this was the son of God!` (Matt: 27. 54) The Romans expected a `Second Eve` to emerge from Jesus` side, which is why Longinus mocked him. Without women`s sexual reproduction uncontaminated by men`s semen, the human futanarian race is a brain damaged victim that can`t see it has an enemy. Blinded in unconsciousness and ignorance of women, Star Trek: Enterprise is Revisionism, which is the socio-political philosophy of the victor, that is, history is what the winners write that it was. Women aren`t ever going to be portrayed in the mass media `edutainment` system of misogyny, because movies like Back To The Future (1985), starring actor Michael J. Fox as Marty McFly, who travels back in time to 1955 with the help of Dr. Emmett `Doc` Brown`s (Christopher Lloyd) time travelling converted DeLorean sports` car, actually go nowhere as they change nothing of the future where the human futanarian race of women isn`t able to sexually reproduce, because Hollywood Babylon propagandists won`t countenance an `edutainment` program to dissolve the `Oedipal myth` of the son-lover: `Are you trying to tell me that my mother has got the hots for me?`11 If time travel were a given facility, men won`t accept `woman`s seed` and, if time travel doesn`t exist, men`s fictions indicate that women are their enemies, as there aren`t any women or humans in homosexuality in pederasty`s waged warfare against `woman`s seed` in Back To The Future, or any sign of women`s penis getting penetration to fertilize an ovum and gain a prize in Star Trek: Enterprise `retro` series.
Jesus` mother, the Virgin Mary, was obviously evincing another of the dying throes of the human futanarian race of women who, unable to sexually fertilize their own species with their own penis` semen, needs must resort to parthenogenesis as a mode of reproduction amongst those `camp` torturers who stand between women and their daughters and mock their inability to reproduce human brainpower to liberate from enslavement to host womb parasitism and parasitoid devourment of their race by a predator. Taught that toys are for children, humans believe that paedophiles want sex with children, whereas they`re Satanists that want adult humans to have the brains of children and have sex with those before they kill them with warfare and disease so that they can grow some more. A child without a starship is a toyless human. Consequently, men`s toys are the women`s repressed penises as the guns on the turrets of tanks, because killing successive generations to keep humanity in infantilism, rather than spend the $1, 000, 000, 000 it costs to keep a B2 `Spirit` bomber operational on medical science to cure their HIV/AIDS `biological weapon`, and so confer the permanent wisdom that goes with immortality on `woman`s seed`, is what men are for. Paedophiles want to play with children, rather than that children should play with toys, so tanks replace starships, and just to make sure, the men who devised Star Trek and the other space operas aren`t satisfied with instantaneous escapist travel through wormhole hyperspace, impenetrable shields to protect the starships` hulls against meteors - or anything else - and `cloaking devices` to remain concealed from oh-so obviously fictional enemies. Instead, they want photon torpedoes in preparation for space battles with `woman`s seed` as their target, because a dead human species is just a dinosaur that didn`t cause slavery any trouble.
1 Apollodorus, Library Apollod, 3. 5. 8.
2 `Oedipus` in Grimal, Pierre (Maxwell-Hyslop, A. R., transl.), The History Of Classical Mythology, Blackwell Publishing, p. 324.
3 http://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping .
4 https://en.wikipedia.org/wiki/Trade_(gay_slang) .
5 Nostradamus, Michel, Les Propheties, Century 10, Quatrain 72, 1555.
6 Montgomery, Karen as Beata in Star Trek: The Next Generation, Series 1, Episode 14, `Angel One`, January 25, Paramount Domestic Television, 1988.
7 Stewart, Patrick as Captain Jean Luc Picard, Star Trek: The Next Generation, `Captain`s Oath`, 176 episodes, September 28, 1987 - May 23, 1994.
8 Icke, David The Biggest Secret, Bridge Of Love Publications, Scottsdale, Arizona, 1999, pp 1-2.
9 Moss, Gabrielle, `Why Can't Guys Get Hard Sometimes? 9 Reasons Why Men Can't Get It Up` in Bustle, `Lifestyle`, February 11, 2015, http://www.bustle.com/articles/63471-why-cant-guys-get-hard-sometimes-9-reasons-why-men-cant-get-it-up .
10 Bakula, Scott as Captain Jonathan Archer, Star Trek: Enterprise, Series 1, Episode 1, `Broken Bow`, September 26, 2001.
11 Fox, Michael J. as Marty McFLy, Back To The Future, Universal Pictures, 1985.
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