Stare Funny Symbolist

Stare Funny Symbolist

 Actress Stephanie Zimbalist starred in feature films for Hollywood Babylon`s `big screen`, and the `small screen` of TV, for the mass media `edutainment` industry of the 20th century, and although the choice of name for a movie star is thought to be a matter of some importance, Stephanie Zimbalist`s choice of name, that is, `Stare Funny Symbolist`, is paradigmatic for women in the entertainment business; for example,  actress Hilary Swank`s name reveals something of the personality of an epoch in which it`s `swank` to sexually repress. In the movie Boys Don`t Cry (1999), Brandon Teena, who in real life was a `transgender` individual murdered by his male aquaintances, when they discovered his secret was surgery, is Swank. Although transvestism isn`t the outspoken subject of the `TV` detective series, Remington Steele (1982-7), Stephanie Zimbalist is best known for her role as Laura Holt who, discovering people are reluctant to hire a woman detective, invents a fictitious alter ego, Remington, who becomes Laura`s unseen leading man until actor, Pierce Brosnan, appears to take on the role as Laura Holt`s avatar.
 The detective agency in Remington Steele represents the problem facing women`s socio-economic independence, and Stephanie Zimbalist`s role in the movie The Awakening (1980) is of a young girl, Margaret, possessed at birth by the spirit of an ancient Egyptian queen, Kara, which is illustratively helpful in portraying the difficulties girls have in being their own selves within societies pressuring them to be like their mothers. In The Awakening Resurrection is presented as horror by the mass media censorship of Hollywood Babylon, although the concept of an unconscious life becoming conscious through the influence of a collective unconscious that contains the archetypal developmental imagery of a buried race`s memory is a natural theme for human progress. In Remington Steele Stephanie Zimbalist`s character, Laura Holt, is a buried woman deserving of Resurrection, and the aparently jocular repartee between Zimbalist and Brosnan over who is really in charge of the agency, illustrates Laura`s struggle to overcome the pressure on girls to accept reincarnation, rather than the more sophisticated Resurrection depicted as a woman`s goal in the film, The Awakening.
 The eyes are the most serious aspect of human nature, and so Stephanie Zimbalist`s role in The Awakening, that is, `stare funny symbolist` looks, are at the centre of individual progress. For the developmental psychologist, Carl Gustav Jung (1875-1961), there were three basic parts to human consciousness; the archetypes of the shadow, the anima, and the animus. The labeling of the conscious mind as `ego` had come from the `father of psychoanalysis`, Sigmund Freud (1856-1939), who`d labeled the mind censored by sexual taboo, the `Superego`, which prevented humans from achieving freedom from society`s repression. Freud called what society wanted to repress, the `id`, and labeled the contents of the id, `the unconscious`, which contained what society didn`t want the individual or the collective to remember. In Jungian psychology, however, the unconscious was associated with instinct or sexual libido, which was transformed during the individuation process into intellectual and spiritual growth.
 Jung described the unconscious as the `Self`, which would awaken because the unconscious contained archetypes, that is, imagery in the form of figures and symbols that would assist the waking and sleeping mind in dreams, art, and imagination. According to Jung the shadow was instinct, or what was repressed in the personality of the individual and the collective, which was perceived by the conscious mind as inferior, and so was projected onto others, who were seen as inferior, rather than the projector. Consequently, Hollywood Babylon`s technical term, `projector`, for the equipment that shows movies on the `big screen` of cinema, is an accurate description of what is inferior for the filmmakers. Jung argued that the ego didn`t have a `Superego` functioning as a `policeman` censoring what the individual believed they should see because of societal ideas about morality, which often conflicted with perceived good.
 In Jungian psychology the ego mediated the contents of the unconscious mind through the anima that corresponded to the soul, which guided the individual through infancy to adult sensibility. Whereas men`s guiding spirit was female, women`s animus spirit was male, which Jung characterized as a `crowd of admiring men`, which discomfited the woman in her infancy, but encouraged her to accept men as a sensible adult. The `big screen` of Hollywood Babylon and the `small screen` of TV represented the drama of projections in which the inferior aspects of human nature were examined for the edification of the audience. Actresses with names like Stephanie Zimbalist represented the business` perspicacity of those who understood something of the psychology of film. Movies were a quizzical look at the peculiarities of the human condition which often had to resort to symbolism because of the film censor that didn`t want people to remember what had been repressed into unconsciousness:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 Ancient Greece was the model for global democracy, but homosexuality in pederasty for war through institutionalized enslavement of women`s host wombs in parasitism was the basis for Greek society. In the Bible God explained parasitism to Eve, the first woman,whose `seed` would have `enmity` with the serpent`s `seed` after she accepts the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, who`d been the angel in heaven, Satan, that had rejected God`s plan for the human host to be greater than the angelic, and so God had transformed Satan into a serpent and left him in the paradise of Eden, which was heaven on Earth, and the original home of Eve, and the first man, Adam. Expelling Eve from Eden for rejecting the `fruit of the tree of life`, that is, immortality, God told Eve she`d experience labor pain, while Adam must labor, although Redemption would occur:
`You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15)
 In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because Jesus was God`s `foot`, that is, he represented the future triumph of `woman`s seed`, which was futanarian humanity`s future. Men`s host womb slavery of women in parasitism for war wasn`t God`s idea of the future of humanity, because futanarian women can sexually reproduce without men, who can`t sexually reproduce with each other, according to their own mass media censorship, whereas Jesus` mother, the Virgin Mary, who gave birth to the Jewish Messiah uncontaminated by male semen, could. As a teacher, Jesus is most remembered for being the `human host` at the `Last Supper` for his disciples to whom he gave `bread and wine` as symbols of his `body and blood`. Jesus` disciple, Judas Iscariot, betrayed the human host by giving Jesus over to the Roman Empire, because he didn`t want sexual reproduction between futanarian humans as that would be a threat to male brained homosexuality in pederasty and war`s host womb enslavement of the species.
 Convicted of `dissidency` Jesus was taken to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood. After Jesus died he had Resurrection and Ascension to heaven in prefiguration of the Resurrection and Ascension to heaven of `woman`s seed` uncontaminated by male semen, that is, Jesus` death, Resurrection and Ascension to heaven was a figure of the futanarian future of `woman`s seed`, which is why Jesus was the `foot` of God on the first step towards the planets and stars of heaven above. She`d achieve immortality, that is, the Redemption God promised, through the sexual reproduction of her own brains` powers for the development of labor saving technologies, and advancements in medical science, without men, who were the `serpent`s seed` God condemns to eternal unendurable pain for refusing to repent and convert from their sin of host womb enslavement of the futanarian race for its extinction through war in parasitism upon the human host womb:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 HIV/AIDS is men`s `Greek` form of `biological warfare` against `woman`s seed` spread like their contagion of war through homosexuality in pederasty and the enslavement of women`s futanarian species of humanity`s host wombs for war against humanity, which is why the `serpent`s seed` of men are described to Eve as having `enmity` with her `seed`, because her `seed` is futanarian women`s humanity`s rather than irredeemable men`s. HIV/AIDS was the late 20th century incurable killer virus spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of human futanarian sexual reproduction, because men are an `incurable killer disease` without acceptance of Jesus` teaching and Redemption:
`Love your neighbor as you love yourself.` (Mk: 12. 31)
 Better to masturbate, although God killed Onan for masturbating his `seed` onto the earth when Onan had been told to impregnate his dead brother`s wife, Tamer. God thought it an insult for men in host womb slavery for pederasty and war against `woman`s seed` to reject what remained of God`s human host`s wombs. In fact God`s finite patience is again illustrated in his dealings with Abraham, the patriarch of the Old Testament of the Bible, that is, the Talmud and Torah of the Jews, which is the Jews` history and law, and that the Christians call the Bible after adding the New Testament of Jesus` teaching. God`s promise to Abraham is that his `seed` will be `numberless` when Abraham`s wife Sara becomes barren after giving birth to Isaac, whose line was to become Israel`s. Sara gave her maid, Hajer, to Abraham, who gave birth to Ishmael, who founded Islam through his descendant, the Prophet Mohamed who, according to tradition, received the Koran (610-30 C.E.) from the angels which, containing parts of the Old and New Testament familiar to both Jews and Christians, presents the history of Abraham, Sara and Hajer as the basis for marriages with more than one wife. Moslem marriages can have four wives, which affords the possibility of futanarian sexual reproduction between women: as God intended.
 Hajer wasn`t Abraham`s wife and is described as a `concubine` while the temple of Abraham built by Hajer, an Egyptian woman, and Ishmael, that is, the Ka` Ba, which Moslems journey to on the pilgrimage, which is called `the Haj`, because of Hajer, was said to be inhabited by pre-Islamic `goddesses`, Al-Lat, Al-Uzza and Manat. These women represent the older human religions, like the Egyptian belief in reincarnation, although `Ka` and `Ba`, for example, are `spirit` and `soul`, that is, women`s futanarian humanity`s penis and host womb for the sexual reproduction of human brainpower between the women as the species of the Earth. Although Stephanie Zimbalist`s character, Margaret, in the film The Awakening, seems possessed by the reincarnated ancient Egyptian queen, Kara, she`s receiving her memories in Resurrection. Because birth is Resurrection, whereas humans are taught there`s a difference between reincarnation, that is, rebirth, and Resurrection, because men don`t want women`s Resurrection and Ascension to heaven through their remembering of their own penis for the sexual reproduction of their own brains` powers and development.

 Symbolism is a `funny stair`, and so Hollywood Babylon depicts women, like Stephanie Zimbalist in the role of Kara, who can`t resurrect as a race, because women don`t have their own futanarian species` human penis` semen, which has been stolen from them by the parasite of men of the `serpent`s seed` that enslaves their host wombs in Satanism. Women can`t resurrect because they can`t be born with their penis, and in the United States of America doctors are empowered to surgically decide whether a futanarian human is adjusted to male or female gender, to prevent Resurrection of the human race. The term `reincarnation` applies to women who aren`t born futanarian, whereas they in fact represent humanity`s Resurrection without its penis, and humanity can`t have Ascension to the heaven of the planets and stars as a developed species if it can`t sexually reproduce. In the Hindu religion of the Indian subcontinent, and the belief in the teachings of Buddha, the concept of `karma` is closely related to the concept of `reincarnation` as a means of explaining why men aren`t redeemed. What`s missing from the human picture is the penis of the futanarian race of women, which has been devoured by men of the `serpent`s seed` in parasitism, so men`s `karma` appears to be what they can`t understand in unconsciousness, whereas the truth is simply that they`re the parasites that have devoured the human race. Buddha said that the world is a `delusion`, while in Hinduism the god Vishnu is capable of being all of the women, which is true of a single male brain sexually reproducing itself in parasitism without humans.
 Although Islam is criticized for religious dictatorship and secular dictatorship, Western democracy on the lines of the `Greek` model is homosexuality in pederasty and host womb enslavement of women`s futanarian human species for the enfranchisement of the parasite that emerges from her womb to dragon-like devour the civilization, culture and art she`s perforce able to produce despite the parasites` depredations against `woman`s seed`. Moslem marriages at least afford the possibility of true human democracy based on the capacity of women to sexually reproduce with each other. Even though men are the nominally designated head of their Moslem families in Islam, the 80% women to 20% family head formula is more easily understandable for the human race of `woman`s seed` if the head of the family is a futanarian woman with penis` semen of her own for the sexual reproduction of women`s own species` brainpower for liberation. Because Jewish tradition is that Jews can only be born from women, Jews are women, which is why they`re the `chosen people` of God`s Bible, and as God`s `foot` Jesus represents the future Resurrection and Ascension to heaven of women`s futanarian humanity, Islam`s Moslem marriages represent the continuation of God`s promise to Abraham that his `seed` would be as `numberless` as the sand and stars. In short, Judeo-Christianity and Islam represent a joint struggle of humans to escape.
 Most people view the chisels of the Satanists, who removed the penis from ancient statues during the Victorian Age (1837-1901), as defensible on `moral grounds`. Like the `Luddites` of the 19th century, named for Ned Ludd, who allegedly broke two stocking frames in 1779 at the beginning of the Industrial Revolution in England, lest labor saving devices replace men, the chiselling defacers of Greco-Roman statues removed the penis from females and males alike to prevent the human race from remembering in the future how to sexually reproduce their own brains` powers for liberation. Sophocles` Oedipus` name, in his Greek drama, Oedipus Rex (c. 429 B.C.), means `lame`, because the human `foot` drags upon men`s lame brain damaged excuse that they prefer host womb enslavement of the human race to development and progress through futanarian women`s humanity`s sexual reproduction of the species` brainpower. The naming of a character is as important for a writer as choosing a name is for an actress, which is why Stephanie Zimbalist`s choice of name is significant in the era of film production. The `Hays code` (1930-67) imposed by censors on Hollywood Babylon forbade women to be seen to raise their `foot` from the floor in bedroom scenes:
`... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1
 Jesus` mother, the Virgin Mary, was fulfilling the futanarian labor pain of Eve when she gave birth to Jesus as God`s redeeming `foot`, which resulted in his crucifixion by the male brained Empire of Rome that preferred hot womb enslavement of women`s host wombs rather than that `woman`s seed` thrive. Consequently, the criticism by the press of the 20th century British Labor Party politician, Michael Foot, for his having a `dishevelled` appearance, had an occult significance. Although no one made the correlation between Michael Foot`s `family name` and the desire of the `serpent`s seed` to erase anything that would assist the futanarian human race of women to remember their penis, Michael Foot was a `girl`s name` to a social fabric still glorying in the defeat of Argentina`s dictator Galtieri in what was known as Conservative Prime Minister Margaret Thatcher`s Falklands war to recapture the South American islands after the Argentine army invaded in 1982.
 Margaret Thatcher won the 1983 General Election, while the Foot led Labor Party struggled for its lowest vote since 1918. War was more politically successful for Margaret Thatcher than for Labor`s Foot, which suggests another Anti-Christian theme in which `God`s foot` failed, that is, Michael was in Labor, and Margaret wasn`t `foot`. Politically, it`s a `joke`, but actress Stephanie Zimbalist`s character, Margaret, who experiences reincarnation, rather than Resurrection, in The Awakening, represents understanding. The name `Margaret` means `pearl`, and the `pearl of great price` is heaven, according to the Bible, which for men and women is futanarian Resurrection. The archangel, Michael, and his angels placed Satan upon the Earth, so the `pearl`, Margaret, in The Awakening is reincarnated in damnation, because Satanism has devoured women`s penis. The devoured Margaret and the archangel, Michael, represent God`s plan for Redemption thwarted by Satan, because Margaret can`t be in labor with foot, my girl.
 In Greek mythology Hades is the `underworld` where the `shades of the dead` go after their bodies die. If AIDS was the 20th century `incurable killer disease` spread by men as their `biological weapon` against `woman`s seed`, AIDS  is Hades, that is, it`s that aspect of the human species` host womb enslavement`s by homosexuality in pederasty for war that sends humans to Hades after the `Greek` model of democracy. In Jungian psychology the archetype of women`s animus is identified with the woman`s perception that she has a circle of male admirers surrounding her, whereas the `projecting making factor` of the unconscious `Self` that seeks to make her conscious is contaminated by the repressed shadow which leads her to the false perception that she`s inferior, while the men are superior, because they have the penis and she doesn`t. However, as men are the parasites that inveigle themselves into the host womb of women`s futanarian race in order to steal humanity`s penis and spread their viral contagion, the circle gathered about the woman is her murder ring, which is what Christianity`s enforcing of monogamous union produces.
 Keeping women in fearful faithfulness to monogamy is what HIV/AIDS does, so it`s a `biological weapon` against futanarian women`s humanity, which is why there`s no cure for the `incurable killer disease`. That would be perhaps as expensive as a US B1 `Spirit` bomber, which costs more than 1 billion US dollars to maintain and, besides, HIV/AIDS helps the `war effort`. Obviously a `Spirit` bomber isn`t the Holy Spirit, which Jesus taught would teach after him. According to the Bible Eve emerged from the side of Adam, which meant that, because Jesus was the `Second Adam`, the Romans were looking to see if the `Second Eve` would emerge from his side as the Holy Spirit, so the Roman guard, Longinus, pierced Jesus` side with a spear upon his death:
`Surely, this was the son of God.` (Matt: 27. 54)
 US `Spirit` bombers were used in the Gulf wars of the Middle East where God`s plan was most advanced in the Moslem four wife marriages affording the possibility of human sexual reproduction. While the process of host womb enslavement of the human host species` wombs in monogamous union was consolidated by AIDS` `biological weapon` keeping women in fearful faithfulness to their ring slavers in the so-called Western democracies, it was the dictators of Islam that represented the best hope for human`s women. When it became clear that the Taliban regime of Afghanistan was misogynist, and the terrorist organization Al Qaeda emerged there to hijack civil airliners and crash them into the Twin Towers of the World Trade Centre in New York city on September 11, 2001, it was evident that Islam had a problem, which was that it preferred `rough trade`, that is, `brutality and violence` in homosexuality and pederasty`s wars of host womb enslavement of the human race of `woman`s seed`. The Afghan regime toppled by December after the US army invaded and Iraq`s dictator Saddam Hussein`s televised support for Al Qaeda resulted in his execution on December 30, 2006, after the US invasion of March, 2003.
 Saddam Hussein was executed for the `war crime` of using poison gas on the Kurdish people living in Iraq, while in October 2015, Turkey, which was seeking full membership of the political and economic European Union bloc of nations, and held a large swathe of Kurdistan within its borders, was still bombing the Kurds by air. The so-called `Arab Spring` of 2011 in which fell the dictatorships of Libya`s Gaddafi, Tunisia`s Ben Ali, and Egypt`s Mubarak, left the Kurds exposed rather than supported. Iraq`s Abu Bakr Al-Baghdadi became the leader of what was loosely labeled a `bloody` Independent State of Iraq and the rebel areas of President Bashar Assad`s Syria, which posed a delayed danger for the Kurds, whose large populations were discoverable mainly in the enfolding territorial ambitions of Iraq, Syria, Iran, and Turkey. In simple terms, the Gulf wars were the result of the Kurds` desire for independence, which gave the dictators of the Middle East an opportunity to demonstrate their hatred for `woman`s seed` and freedom:
`Little Miss Muffet
Sat on a tuffet,
Eating her curds and whey;
Along came a spider
Who sat down beside her
And frightened Miss Muffet away.`2
 Although the English nursery rhyme is reputed to have been written on the subject of Mary Queen of Scots` fear of  Protestant reformer John Knox`s `Papal Jurisdiction Act` of 1560, which made the Scottish chuch independent of the authority of the Christian Pope in Rome, the political character of the children`s rhyme has clearly been appropriated by the late 20th century for its wars against the Kurds, who resist the slavery of incorporation. In the rhyme Miss Muffet is disturbed by the spider while she`s eating her `curds`, that is cheeses separated from milk, while `whey` is the liquid milk remaining:
`Jesus answered, `I am the way and the truth and the life.` (John: 14. 6)
 Jesus is the `way` and the Kurds, for political cartoonists, if the `curds` are cheeses and the `whey`. Miss Muffet is frightened, because the spider sees her as food, that is, in terms of Scottish religious symbolism she`s `foot`, and so represents Jesus, who is God`s `foot`, while men have devoured women`s futanarian humanity in order to give themselves more lame brained excuses for refusing to acknowledge the independence of `woman`s seed` and instead wage war as aliens upon the Earth. In misogyny women are perceived as spiders, because as a sexually reproductive species they`re eight limbed, whereas men`s single male brained Empire more properly corresponds to the behavior of spiders in that they trap women in order to devour the human race.
 Just as a `fatwah` death sentence was imposed upon Salman Rushdie by the Ayatollah Khomenei of Iran for writing the novel, The Satanic Verses (1988), which indicated that Al-Lat, Al-Uzza, and Manat, the three `goddesses` of the Koran, were women`s futanarian humanity, the Danish satirical cartoonist, Kurt Westergaard , was condemned by Moslem leaders for inciting religious hatred during the Gulf wars when, for the newspaper, Jyllands-Posten, on September 30, 2005, he depicted a bearded man wearing a turban  carrying a bomb. From a cartoonist`s perspective, the war against the Kurds is an attempt to separate the way from Jesus, because the great hero of the Kurds is Saladin, who defeated the Christians at the battle of Hattin in 1187 during the period before the Moslems captured Jerusalem for Islam. Although Jesus is associated with the Holy Grail as the bowl from which he ate and drank at the `Last Supper`, that is, fellowship, because djinn are written of in the Koran as residing upon the Earth as separate and distinct, for Saladin it`s the figure of Aladdin in the 8th century collection of tales, One Thousand And One Nights, who is more representative of the meaning of the Holy Grail for Moslems in Islam.
 The tale of Aladdin is amongst those supported by the framing device, which is the tale of the Indian Mogul, Shah Jehan, who mistakenly beheads his wife Mumtaz Mahal for unfaithfulness with his brother. He then marries a new bride each day before beheading her each evening. Scheherezade is the woman who tells him stories so that he marries her and the women are saved, although the Taj Mahal in Agra remains as a reproach to Shah Jehan`s faithlessness. The meaning is that the women are blamed for Shah Jehan`s own inferiority, and his beheading of them removes his own brainpower, because they`re harem women. Aladdin`s tale is of his discovery of a lamp containing a djinn. When Aladdin polishes the lamp, the djinn emerges, and fulfils Aladdin`s wish. His wife mistakenly gives the lamp to a trader crying along the street:
`New lamps for old!`3
 Although Jesus` teaching of fellowship seems directed at men, and the djinn of Arabian folklore are typically depicted as male, it`s the sexually repressed guiding  anima of Jesus` futanarian life that the djinn represent, because men don`t want heaven for `woman`s seed`, which is why the djinn are depicted in story as the fulfilment of dreams. In simple terms, Judeo-Christianity and Islam advocate belief in heaven, but it doesn`t have humans in it, which suggests the djinn are that aspect of humanity denied by Western religion, that is, women`s futanarian `foot` race, brain damaged and lamed, through host womb enslavement in parasitism for homosexuality in pederasty`s wars against `woman`s seed`. From a human perspective, djinn represent the last vestiges of what might have existed, when futanarian women were able to sexually reproduce their own brains` powers for liberation, through labor saving inventiveness and immortality conferring medical science, before men`s enslaving of the host wombs of the human race denied `woman`s seed` progress to the planets and stars of heaven above.
 Although Satan is depicted in the Koran as the djinn, Iblis, traditionally he has no power to do anything other than whisper, which means humans are misguided if they`re guided by anything other than their own species` sexual instinct. Angelina Jolie appears in the movie of the Old English narrative, Beowulf (2007), as the mother of the devouring monster, Grendel, but she`s sexually desirable, because futanarian sexual instinct is the best guide for human cinema audiences and, as an actress, Angelina isn`t the monster`s mother. The Old English prosody of `Beowulf` (1100 C.E.) depicts a society after the Pax Romana, which established `circus` entertainment after the Greeks` institutionalized host womb enslavement of the human race for the spread of homosexuality in pederasty and war`s contagions. In Roman `circus` amphitheatres, people killed each other for the entertainment of the Empire, because the single male brained creature that the Romans had made was a prototypical `TV`, that is, men and women with a single male brain wearing each others` clothes in transvestism for the entertainment of a species` killer making `snuff`  scenes, whoever that is. Consequently, sexual desirability for the remanants of `woman`s seed` that can still feel the `love of God` for the human race of women`s futanarian species is the best guide away from the alien racist`s monstrous devouring.

 Although Carl Jung defined the shadow as the inferior aspect of the personality projected onto others by the confused individual, the Greeks` shades in Hades are a direct result of their host womb enslavement of women`s futanarian humanity for homosexuality in pederasty and war, because idiomatically women without penis of their own are a `shadow of their former selves`.4 The analogy is of humans born into damnation. The individual corresponds to a light bulb, which appears beneath its shade after the `TV` is switched on. The `snuff film` goes on until the bulb dims and the light is extinguished in the room. The Greek Hades is where homosexuals believe women belong, which is why homosexuality`s AIDS means Hades` for shades, lest women become too brightly intelligent through the sexual reproduction of their own brains` powers to liberate themselves from extinguishment as light bulbs beenath a shade in front of the `TV`. Although Jung perceived that the shadow-anima complex represented occlusion, what he didn`t understand was that women`s animus represents her conditioned fear of men`s `snuff` pogromers, whereas an archetypal figure like the hermaphroditus represents their repressed futanarian sexual impulses, which are the best `TV guide` for humans.
 Having effectively devoured as much of the woman`s penis as they can stomach, the `serpent`s seed` of men, grown into a devouring `red dragon` since Eden, don`t want theirs and so wage wars against the `remnant of woman`s seed` (Rev: 12. 17), who`re still recognizable, because they`re seeking independence from slavery. In Kurdistan, for example, beset by Syria, Iraq, Iran, and Turkey because, like women`s penis, for them the Kurds shouldn`t exist. For the international community, represented by the United Nations (1945-), Kurdistan exists only as the unenforceable August 10, 1920, Treaty of Sèvres with the failed Ottoman Empire of the Turks after the German Empire`s attempt to enslave the Earth with Turkish assistance during WWI (1914-18), that is, Kurdistan`s just another woman`s penis and brain for the cowardly Satanists to devour, while those who`re kept in blind ignorant unconsciounsess of the truth by the mass media censored Hollywood Babylon entertainment `circus` on `moral grounds` don`t even have to turn away not to be able to see.
1 .
2  Opie, I and P. Opie, The Oxford Dictionary of Nursery Rhymes (1951), Oxford University Press, 1997, pp. 323–4.
3 Aladdin And His Wonderful Lamp, Paramount Pictures, 1939.
4 .


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